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554-5251
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| 554-5251 by Sarah Oppenheimer |
|  | Bit.Fall by Julius Popp
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| David Kilper/WUSTL Photo Services |
| Bit.Fall by Julius Popp |
| | De-Viewer by ART+COM
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| De-Viewer by ART+COM |
| | Design Intelligence 2007
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| Courtesy photo |
| Design Intelligence |
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Didadi by Diadi? Bathily
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| WUSTL Photo Services |
| Didadi by Diadi? Bathily |
| | Jestem (I Am)
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| Courtesy photo |
| Jestem (I Am) |
| | Koto by Alonzo King
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| WUSTL Photo Services |
| Koto by Alonzo King |
| | Nikolais Dance Theatre
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| Courtesy photo |
| Nikolais Dance Theatre |
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Prototype for Interface
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| Peter Campus, Prototype for Interface |
| | rEvolutions
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| David Marchant |
| Washington University Dance Theatre |
| | screens
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| screens |
| | Seeing Yourself Seeing
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| Collection of Themistocles and Dare Michos, San Francisco |
| Seeing Yourself Seeing |
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Shall We...? by Mary-Jean Cowell
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| WUSTL Photo Services |
| Shall We...? by Mary-Jean Cowell |
| | Softscape
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| Eric Hoffman and Tony Patterson |
| Softscape |
| | The Women by Cecil Slaughter
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| WUSTL Photo Services |
| The Women by Cecil Slaughter |
| | Think of This as a Window
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| Galerie Neu, Berlin |
| Think of this as a Window |
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Untitled (Bicycle Rack)
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| Manfred Pernice, Untitled (Bicycle Rack), 2002 |
| | What's the Pointe? by Christine Knoblauch-O'Neal
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| WUSTL Photo Services |
| What's the Pointe? by Christine Knoblauch-O'Neal |
| | 10-year plan to end chronic homelessness
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| Frank Oros |
| A still from Frank Oros' video documentary, now in production, on the "10-Year Plan to End Chronic Homelessness." |
| | 1899 Campus Plan
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| Detail, 1899 Campus Plan |
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1940s Radio Hour 2
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| David Kilper/WUSTL Photo Services |
| The cast of The 1940s Radio Hour |
| | 1940s Radio Hour 3
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| David Kilper/WUSTL Photo Services |
| Kaylin Boosalis as Ginger Brooks |
| | 1940s Radio Hour 4
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| David Kilper/WUSTL Photo Services |
| Kaylin Boosalis as Ginger Brooks |
| | 1940s Radio Hour 5
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| David Kilper/WUSTL Photo Services |
| Jimmy Brooks Jr. as Biff Baker |
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2 Scrap Arts Music
| | 365 Plays 1
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| Chris Hartman |
| Maryse Pearce |
| | 365 Plays 2
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| Chris Hartman |
| "365 Plays/365 Days" |
| | 365 Plays logo
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5 Easy Lessons
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| William Frederking |
| River North Chicago Dance Company |
| | 560 Trinity Ave.
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| David Kilper/WUSTL Photo Services |
| Community Music School |
| | "Animal Farm: The Puppet Musical"
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| Courtesy image |
| "Animal Farm: The Puppet Musical" |
| | "Black, Pearls and Harry"
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| Photo by David Kilper/WUSTL Photo Services |
| Christine Knoblauch-O'Neal performs "Black, Pearls and Harry" as part of the 2004 "Dance Close-Up" Concert Sept. 9-11. |
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"Interface"
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| Stephanie Beamer, Crystal Ellis, Hillary Petrie and Tyler Survant |
| "Interface" |
| | "Parasite"
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| Dimitrios Gourdoukis and Karina Tryfonidou |
| "Parasite" |
| | "Rubber Frame" cover
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| "The Rubber Frame: Essays in Culture and Comics" |
| | "Sliders"
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| Photo by David Kilper/WUSTL Photo Services |
| Mary Jean Cowell and Cecil Slaughter perform "Sliders" as part of the 2004 "Dance Close-Up" Sept. 9-11. |
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"Spill"
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| Photo by David Kilper/WUSTL Photo Services |
| David Marchant and Holly Seitz perform "Spill" as part of the 2004 "Dance Close-Up" concert Sept. 9-11. |
| | "Tensile Involvement"
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| "Tensile Involvement" |
| | "Tensile Involvement" 2
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| "Tensile Involvement" |
| | A. Van Jordan
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| A. Van Jordan |
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ACDFA-Grid 1
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| David Marchant |
| PAD students in Cecil Slaughter's "Grid" |
| | ACDFA-Grid 2
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| David Marchant |
| PAD students in Cecil Slaughter's "Grid" |
| | Actor's Gang
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| Jean-Louis Darville |
| The Actor's Gang |
| | Actor's Gang 2
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| Jean-Louis Darville |
| Brent Hinkley |
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Acuna, Claudia
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| Photo by Jimmy Katz |
| Claudia Acu?a |
| | Aegean Crucible
 | | African film 1
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| Courtesy photo |
| African Middleweights |
| | African film 2
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| Courtesy photo |
| Dole (Dollar) |
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African film 3
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| Courtesy photo |
| Safi, la petite mere |
| | Ahn Trio
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| Courtesy photo |
| Ahn Trio |
| | Albers, homage to square
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| Joseph Albers, Homage to the Square: Aurora (1951-55) |
| | Albert, Donnie Ray
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| Donnie Ray Albert |
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Alberto del Saz
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| WUSTL Photo Services |
| Alberto del Saz |
| | Alonzo King LINES Ballet
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| Marty Sohl |
| Alonzo King's LINES Ballet |
| | Amazones
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| Amazones: The Women Master Drummers of Guinea |
| | Amazones 1
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| Amazones: The Woman Master Drummers of Guinea |
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Amazones 2
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| Amazones: The Woman Master Drummers of Guinea |
| | amiens
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| Photo courtesy of Visual Media Center, Columbia Unive |
| A three-dimensional rendering from the Amiens Cathedral project |
| | amiensair
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| Photo courtesy of Visual Media Center, Columbia University |
| Amiens Cathedral |
| | Amy Hempel
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| Courtesy photo |
| Amy Hempel |
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An untitled duet by David Marchant
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| WUSTL Photo Services |
| An untitled duet by David Marchant |
| | Andrea Fraser, Little Frank and His Carp
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| Little Frank and His Carp |
| | Andrea Fraser, Museum Highlights: A Gallery Talk
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| Museum Highlights: A Gallery Talk |
| | Andrea Fraser, Untitled (Pollock/Titian) #4
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| Untitled (Pollock/Titian) #4 |
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Andy Warhol, Marilyn 1/10, 1967.
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| Andy Warhol, Marilyn 1/10, 1967. |
| | Animal Farm 2
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| Courtesy photo |
| Animal Farm: The Puppet Musical |
| | Anita Silvey
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| Neil Giordano |
| Anita Silvey |
| | Ann Hamilton, Corpus
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| Courtesy Photo |
| Corpus, by Ann Hamilton |
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APPX
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| Cover, APPX Volume 1 |
| | Aquila Othello
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| Courtesy photo |
| The Aquila Theatre presents Othello at Edison Theatre Nov. 2 |
| | Arcadia dancers
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| David Kilper/WUSTL Photo |
| | Arch construction
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| United States Jefferson National Expansion Memorial |
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architect detail
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| A detail from Mariano Sagasta's winning conceptual master plan for the west side of Brentwood Boulevard north of Highway 40. |
| | Aristo350
| | Armstrong, Gareth
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| Armstrong |
| | Arriyadh
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| Cristina Greavu and Peter Elsbeck |
| Study for "A Neighborhood ? Residence and Life" competition |
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Arthur Sze
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| Courtesy photo |
| Arthur Sze |
| | aschheim earworm
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| Mike Venso/Laumeier Sculpture Park |
| Aschheim's "Earworm (Node)," contains LEDs, plastic, speakers, music and copper.
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| | Asha Prem
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| David Kilper/WUSTL Photo Services |
| Asha Prem |
| | Aspen Santa Fe Ballet
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| Lois Greenfield |
| Aspen Santa Fe Ballet |
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Awakening 1
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| Joe Angeles/WUSTL Photo Services |
| "The Awakening" |
| | Awakening 2
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| Joe Angeles/WUSTL Photo Services |
| "The Awakening" |
| | Awakening 3
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| Photo by Joe Angeles |
| "The Awakening" |
| | BAG building
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| Photo by Michael E. Emrick |
| BAG headquarters |
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BAG dancers
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| Photo by Portia Hunt |
| BAG dancers |
| | BAG Oliver Lake
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| Courtesy photo |
| Oliver Lake |
| | Ballet Boyz
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| Michael Nunn and Billy Trevitt of George Piper Dances (a.k.a. Ballet Boyz) |
| | Bang on a Can All-Stars
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| Courtesy photo |
| Bang on a Can All-Stars |
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Barbara Kruger and Visual AIDS
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| Barbara Kruger and Visual AIDS, "Untitled (girl don?t die for love)," (1992) |
| | Barbizon-Cazin
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| Path on the Cliffs, a 19th-century oil by Jean Charles Cazin, before and after conservation.
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| | Barbizon-Jacque
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| Charles Emile Jacque, Landscape with Sheep (19th century). |
| | Barbizon-Jules Dupre
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| Jules Dupré, The River (c.1850) |
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Barbizon-Julien Dupre
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| Julien Dupré, In Pasture (1882). |
| | Barbizon-Pena
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| Narcisse Virgile Diaz de la Peña, Wood Interior (1867). |
| | basquiat horn player
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| Photograph ? Douglas M. Parker Studio |
| Jean-Michel Basquiat
Horn Players
1983
Acrylic and oil paintstick on three canvas panels, 96 x 75? |
| | Baugh, John
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| Baugh |
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Beckmann German poster
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| Detail from Max Beckmann's "Four Men Around a Table" (1943). |
| | Beiser, Maya
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| Lili Almog, courtesy Bernstein Artists |
| Beiser |
| | Belieu, Erin
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| Erin Belieu |
| | Bertrand Goldberg's Marina City
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| Igor Marjanovic |
| Bertrand Goldberg's Marina City |
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Big George Brock 1
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| Joseph A. Rosen |
| Big George Brock |
| | Big George Brock 2
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| Big George Brock Collection |
| Big George Brock |
| | Big love couples
 | | Big love girls
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Big love photo one
 | | Big Love two
 | | Big Read 1
| | Big Read 2
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bigbaby
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| Big Baby by Charles Burns |
| | Bin Ramke
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| Courtesy photo |
| Bin Ramke |
| | Bingaman, Robert Josiah
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| American Nocturn, Utah |
| | Bingham, George Caleb, Daniel Boone Escorting Settlres through the Cumberland Gap
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| Mildred Lane Kemper Art Museum |
| George Caleb Bingham, Daniel Boone Escorting Settlers through the Cumberland Gap |
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bitchin babes
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| The Four Bitchin' Babes. From left: Suzzy Roche, Camille West, Debi Smith and Sally Fingerett |
| | Bleckner
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| Douglas M. Parker Studio |
| Ross Bleckner
Brother's Sword, 1986
Oil on canvas |
| | Bloody Poetry 1
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| David Kilper/WUSTL Photo Services |
| "Bloody Poetry" |
| | Bloody Poetry 2
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| David Kilper/WUSTL Photo Services |
| "Bloody Poetry" |
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Bloom, Amy
| | Bloom, Amy
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| Amy Bloom |
| | blumenfeld, harold
| | Bonnie Jo Campbell
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| Courtesy photo |
| Bonnie Jo Campbell |
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Bonnie Oda Homsey
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| Linda Krikorian |
| Bonnie Oda Homsey |
| | bottine souriante
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| Photo courtesy Productions Mille-Pattes |
| La Bottine Souriante |
| | Brenda Marie Osbey
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| Courtesy photo |
| Brenda Marie Osbey |
| | Brian Healy Architects
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| Paul Warchol |
| Brian Healy Architects |
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Brigitta Winkler
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| Courtesy photo |
| Brigitta Winkler |
| | Broad, Eli
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| Broad |
| | Broderick-Knight Ctr
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| Beth Schlanker/P-D |
| Jan Broderick stands next to a 1917 IBM Time Clock from the Bevo Bottling Plant that she installed as part of an exhibit in the Knight Center in the Olin School of Business at Washington University. |
| | Bryant, Stephen
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| Russell Maynor |
| Stephen Bryant |
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Campbell Brothers 1
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